查尔斯·布朗森(Charles Bronson,1921年11月3日-2003年8月30日),动作片演员。他于1921年11月3日出生于美国宾夕法尼亚州的Ehrenfeld。
1949年开始在好莱坞的电影和电视剧中演一些负面角色,在1968年离开美国,转往欧洲打天下,并一举成为当地的动作片巨星。他的代表作为1970年代猛龙怪客系列影片,曾荣获美国1976年金球奖“全球最受欢迎的艺人”。
,个人简介中文名: 查尔斯·布朗森
英文名: Charles Bronson
性 别: 男
生 日: 1921-11-03
角 色 :演员,编剧
矿工的儿子,在家里的15个孩子中是唯一念完高中的。二战期间是轰炸机上的机*手,退伍後去学习美术,并在一间演出公司当布景设计师,偶尔也演出一些小角色。49年开始在好莱坞的电影和电视剧中演一些坏蛋角色,因情况一直未见好转.不得已在68年离开美国,转往欧洲打天下,不料却成为当地的动作片巨星,代表作有《狂沙十万里》、《雨中怪客》等。71年还荣获金球奖的“全球最受欢迎影星”奖座。72年布朗逊衣锦荣归,主演好莱坞黑邦片《大时代》,两年後以《猛龙怪客》创造事业巅峰。此片在二十年间一共拍了五部续集之多。在80年代之後,其动作巨星地位被逐渐取代,只能拍一些B级片。
英文资料Biography for Charles Bronson (资料来自imdb)
Date of Birth
3 November 1921, Ehrenfeld, Pennsylvania, USA
Date of Death
30 August 2003, Los Angeles, California, USA. (pneumonia and Alzheimer’s disease)
Birth Name
Charles Dennis Buchinsky
Nickname
Il Brutto (Italy)
Le Sacre Monstre (France)
Height
5’ 10" (1.78 m)
Mini Biography
The archetypal screen tough guy with weatherbeaten features - one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long" - Charles Bronson was born Charles Buchinski, one of 14 children of struggling Polish immigrant parents in Pennsylvania (his father was a coal miner). He pleted high school and joined his father in the mines (an experience that resulted in a lifetime fear of being in enclosed spaces) and then served in WW II. After his return from the war, Bronson used the GI Bill to study art (a passion he had for the rest of his life), then enrolled at the Pasadena Playhouse in California. One of his teachers was impressed with the young man and remended him to director Henry Hathaway, resulting in Bronson making his film debut in You’re in the Navy Now (1951). He appeared on screen often early in his career, though often uncredited. However, he made an impact on audiences as the evil assistant to Vincent Price in the 3-D thriller House of Wax (1953). His sinewy yet muscular physique got him cast in action-type roles, often without a shirt to highlight his manly frame. He received positive notices from critics for his performances in Vera Cruz (1954), Target Zero (1955) and Run of the Arrow (1957). Indie director Roger Corman cast him as the lead in his well-received low-budget gangster flick Machine-Gun Kelly (1958), then Bronson scored the lead in his own TV series, "Man with a Camera" (1958). The 1960s proved to be the era in which Bronson made his reputation as a man of few words but much action. Director John Sturges cast him as half Irish/half Mexican gunslinger Bernardo O’Reilly in the **ash hit western The Magnificent Seven (1960), and hired him again as tunnel rat Danny Velinski for the WWII POW **g budget epic The Great Escape (1963). Several more strong roles followed, then once again Bronson was back in military uniform, alongside Lee Marvin and Ernest Borgnine in the ************-filled The Dirty Dozen (1967). European audiences had taken a shine to his minimalist acting style, and he headed to the Continent to star in several action-oriented films, including Bataille de San Sebastian, La (1968) (aka "Guns for San Sebastian"), the cult western C’era una volta il West (1968) (aka "Once Upon a Time in The West"), Passager de la pluie, Le (1969) (aka "Rider On The Rain") and, in one of the quirkier examples of international casting, alongside Japansese screen legend Toshirô Mifune in the western Soleil rouge (1971) (aka "Red Sun"). American audiences were by now keen to see Bronson back on US soil, and he returned triumphantly in the early 1970s to take the lead in more hard-edged crime and western dramas, including The Valachi Papers (1972) and the revenge western Chato’s Land (1972). After nearly 25 years as a working actor, he became an overnight sensation. Bronson then hooked up with British director Michael Winner to star in several highly successful urban crime thrillers, including The Mechanic (1972) and The Stone Killer (1973). He then scored a solid hit as a Colorado melon farmer-done-wrong in Richard Fleischer’s Mr. Majestyk (1974). However, the film that proved to be a breakthrough for both Bronson and Winner came in 1974 with the release of the controversial Death Wish (1974) (written with Henry Fonda in mind, who was disgusted by the script). The US was at the time in the midst of rising street crime, and audiences flocked to see a story about a mild-mannered architect who seeks revenge for the murder of his wife and rape of his daughter by gunning down hoods, rapists and killers on the streets of New York City. So popular was the film that it spawned four increasingly inferior sequels over the next 20 years.
Action fans could not get enough of tough guy Bronson, and he appeared in what many fans, and critics, consider his best role - as Depression-era streetfighter Chaney alongside James Coburn in the superb Hard Times (1975). That was followed by the somewhat slow-paced but beautifully photographed western Breakheart Pass (1975) (with wife Jill Ireland), the light-hearted romp (a flop) From Noon Till Three (1976), and as Soviet agent Grigori Borsov in director Don Siegel’s decent Cold War thriller Telefon (1977). Bronson remained busy throughout the 1980s, with most of his films taking a more violent tone, and he was pitched as an avenging angel eradicating evildoers in films like the mediocre 10 to Midnight (1983), the nearly unwatchable The Evil That Men Do (1984), Assassination (1987) and Kinjite: For**dden Subjects (1989). Bronson jolted many critics with his forceful work as murdered United Mine Workers leader Jock Yablonski in the TV movie Act of Vengeance (1986) (TV), gave a very interesting performance in the Sean Penn-directed The Indian Runner (1991), and surprised everyone with his appearance as passionate newspaper editor Francis Church in the family film Yes Virginia, There Is a Santa Claus (1991) (TV).
Bronson’s final film roles were as police missioner Paul Fein in a well-received trio of crime/drama TV movies Family of Cops (1995) (TV), Breach of Faith: Family of Cops II (1997) (TV) and Family of Cops III: Under Suspicion (1999) (TV). Unfortunately, ill health began to take its toll; he suffered from Alzheimers disease for the last few years of his life, and finally passed away from pneumonia at Los Angeles’ Cedars-Sinai Medical Center in August 2003. Bronson was a true icon of international cinema; critics had few good things to say about his films, but he remained a fan favorite in both the US and abroad for 50 years, a claim few other film legends can make.
Spouse
Kim Weeks (22 December 1998 - 30 August 2003) (his death)
Jill Ireland (5 October 1968 - 18 May 1990) (her death) 1 daughter
Harriet Tendler (1949 - 1967) (divorced) 2 children
Trivia
Shared a room with Jack Klugman in a New York boarding house in the 1940s.
He had two children with his first wife, Tony and Suzanne. He then married Jill Ireland, who had two sons with her first hu**and, David McCallum. One adopted son (Jason) died in 1989. He and Ireland had a daughter named Zuleika.
Perhaps the **ggest late bloomer in Hollywood history, he did not get the marquee treatment he deserved until his late 40s. He was already 53 when Death Wish (1974) premiered.
The name Bronson is said to taken from the "Bronson Gate" at Paramount Studios, at the north end of Bronson Avenue.
Spoofed in an episode of "The Simpsons" (1989) in which the Simpson family mistakenly travels to Bronson, Missouri, instead of Branson. In Bronson, such lines of dialogue as these are spoken by its citizens: "No dice.", "This ain’t ovah."
Changed his stage name in the early 1950s in the midst of the McCarthy "Red Scare" at the suggestion of his agent, who was fearful that his last name (Buchinsky) would damage his career.
Actor Dick Van Dyke received a lemon cake every Christmas from Bronson, who lived nearby in Malibu for 16 years
In 1949 he moved to California, where he signed up for acting lessons at the Pasadena Playhouse
In 1954 on the Mexican set of Vera Cruz (1954), he and fellow cast member Ernest Borgnine--who were playing American gunfighters involved in the Mexican fight against the French--had some spare time on their hands and decided to go to a nearby town for cigarettes. They saddled up in costume, sidearms and all, and began riding to town. On the way they were spotted by a truck full of Mexican "federales"--national police--who mistook them for bandits and held them at gunpoint until their identities could be verified.
Was drafted into the army in 1943 and assigned to the Air Corps. At first he was a truck driver, but was later trained as a bomber tail gunner and assigned to a B-29. He flew 25 missions and received, among other decorations, a Purple Heart for wounds incurred in battle.
"I am not a Casper Milquetoast," Bronson told The Washington Post in 1985, recalling the time he was visiting Rome and felt someone stick a gun in his side. "A guy in broken English asked me for money. I said, ’You give ME money.’ He turned around and walked away."
Director John Huston once summed him up as "a grenade with the pin pulled"
Was by all accounts a very quiet and introspective collaborator, often sitting in a corner for much of a shoot and listening to a director’s instructions and not saying a word until cameras were rolling.
Was the first actor considered for the role of Snake Plissken in Escape from New York (1981)
He grew privately frustrated by the declining quality and range of roles over his career, being pigeonholed as a violent vigilante after the mercial success of Death Wish (1974). His own favorite of his "vigilante" movies was C’era una volta il West (1968) (aka Once Upon a Time in the West).
In 1963 Sergio Leone asked him to star in his western Per un pugno di dollari (1964) (A Fistful of Dollars). Bronson turned the role down, so Leone asked Clint Eastwood.
His father died when he was 10, and at 16 he followed his brothers into the mines to support the family. He was paid $1 per ton of coal and volunteered for perilous jobs because the pay was better.
Responding to critics’ plaints, he said: "We don’t make movies for critics, since they don’t pay to see them anyhow."
Called West Windsor, Vermont his home for more than three decades (Bronson Farm), and was buried in nearby Brownsville Cemetery, near the foot of Mt. Ascutney.
Appeared with Steve McQueen and James Coburn in two films, both of which were directed by John Sturges: The Magnificent Seven (1960) and The Great Escape (1963).
With his death on August 30, 2003, Robert Vaughn and Eli Wallach are the only two of the seven main stars of the The Magnificent Seven (1960) who are still alive as of November 2005.
His stepson, Jason McCallum Bronson, the adoptive son of David McCallum and Jill Ireland, died of an accidental drug overdose in 1989.
Was introduced to his second wife, Jill Ireland, by her then-hu**and David McCallum during the filming of The Great Escape (1963).
Spoke fluent Russian, Lithuanian and Greek.
Owned homes in Europe, including Lithuania and Greece.
Had hip replacement surgery in August 1998.
The voice of the sarcastic store clerk in "The Simpsons" (1989) is based on him.
Sergio Leone once called him "the greatest actor I ever worked with". Leone had wanted Bronson for all three of what became known as the "Man with No Name" trilogy, but Bronson turned him down each time.
The term "Charles Bronson" is frequently uttered in Reservoir Dogs (1992) in reference to a hard-man.
He was very active in raising funds for the John Wayne Cancer Institute.
Advertised Mandom hair oil.
Capable of essaying a variety of types, from Russian to American Indian, from homicidal villain to tight-lipped hero, Bronson suddenly became a star at the age of 50. Following the success of Death Wish (1974) he repeated, with little variation, his role as a vengeful urban vigilante.
In the latter part of his career, he worked predominantly with The Guns of Navarone (1961) director J. Lee Thompson. They made nine films together in just over a decade between 1977 and 1989: 10 to Midnight (1983), Caboblanco (1980), Death Wish 4: The Crackdown (1987), The Evil That Men Do (1984), Kinjite: For**dden Subjects (1989), Messenger of Death (1988), Murphy’s Law (1986), St. Ives (1976) and The White Buffalo (1977).
From a Lithuanian family, he grew up in a western Pennsylvania coal-mining town. Like all the men in his family, he worked in the mines, but hated it and used a variety of means to escape it (including the military and, eventually, acting). His expertise with tunneling and working underground turned out to be quite helpful when making The Great Escape (1963) in the role of "Tunnel King" Velinski. However, even though the "tunnel" he was working in was a cutaway set, he could only stay in it for a few minutes at a time before he had to get up and leave. As a boy working in the mines, he was caught in a cave-in and almost died before he was finally rescued. Ever since that time he had had a deathly fear of enclosed spaces.
Made six films with director Michael Winner: Chato’s Land (1972), The Mechanic (1972), The Stone Killer (1973), Death Wish (1974), Death Wish II (1982) and Death Wish 3 (1985).
In the ’90s a lady whom he’d never met left him her estate worth well over a million dollars. She was a **g fan of his. Her family sued and he ended up settling with them out of court.
Diagnosed with Alzheimer’s disease in 2000 after suffering ill health for the previous two years.
Retired from acting after undergoing hip replacement surgery in 1998.
The Japanese manga artist Yoshiyuki Okamura, famed for the Fist of the Northstar manga sometimes credit himself under the name of Buronson, after Bronson and sports a similar moustache.
He and his wife Jill Ireland adopted Katrina Holden Bronson after her mother Hilary Holden died in 1983.
Personal Quotes
"I guess I look like a rock quarry that someone has dynamited."
"Acting is the easiest thing I’ve done, I guess that’s why I’m stuck with it."
"Someday I’d like a part where I can lean my elbow against a mantlepiece and have a cocktail."
"I don’t look like someone who leans on a mantelpiece with a cocktail in my hand, you know. I look like the kind of guy who has a bottle of beer in my hand."
"Maybe I’m too masculine. Casting directors cast in their own, or an idealized image. Maybe I don’t look like anybody’s ideal." (1971)
"I am not a fan of myself."
Nobody stays on top forever. Nobody!
Salary
10 to Midnight (1983) $2,000,000
Death Wish (1974) $1,000,000
Valdez, il mezzosangue (1973) $1,000,000
The Stone Killer (1973) $1,000,000
翻译:
传为查理士布朗逊(资料来自imdb )
出生日期
1921年11月3日, ehrenfeld , Pennsylvania ,美国
死亡日期
2003年8月30日,洛杉矶,美国加利福尼亚州。 (肺炎和阿尔茨海默病)
出生名称
查尔斯丹尼斯buchinsky
昵称
白细胞介素brutto (意大利)
乐圣monstre (法国)
高度
5 ’ 10 “ ( 1.78米)
小传典型的屏幕硬汉与weatherbeaten特色-一影评人形容他的凹凸不平,看起来是“克拉克盖博谁已离开了在阳光下太久, ” -查理士布朗逊出生查尔斯布钦斯基,其中14名儿童挣扎的波兰**的父母在宾夕法尼亚州(他的父亲是一位煤矿工人) 。他完成了高中和加入他的父亲在地雷( 1的经验,结果造成了一辈子害怕被在封闭空间) ,然后曾任职于第二次世界大战。之后,他返回从战争中,布朗森用于胃肠条例草案,研究艺术(一**,他已为余生) ,然后登记在帕萨迪纳剧场在加利福尼亚州。他的一位教师留下了深刻的印象与青年男子,并推荐他的主任亨利哈撒韦,导致在布朗森使他执导的电影处女作您在海军现在( 1951年) 。他出现在屏幕上,往往早在他的职业生涯,虽然往往uncredited 。不过,他作出了影响,观众作为邪恶的助理郑海泉在价格的3 D惊悚片众议院蜡( 1953 ) 。他sinewy ,但肌肉的体魄了他所投的行动型的角色,往往没有衬衫,以突出他的男子汉框架。他收到了积极的告示,从批评他的表演在维拉克鲁斯( 1954年) ,目标零( 1955年)和运行的箭头( 1957年) 。独立董事Roger corman投他作为牵头在他的广受欢迎的低预算的强盗弹簧刀机*凯利( 1958年) ,然后布朗森的成绩,率先在自己摄制的电视连续剧, “男子与相机” ( 1958年) 。 20世纪60年代被证明是时代在其中布朗森,他的声誉,作为一名男子的几句话,但很多行动。主任约翰斯特奇斯投下他的一半爱尔兰/一半墨西哥gunslinger贝尔纳奥赖利,在粉碎击中西部的宏伟七( 1960年) ,并聘请他再次隧道大鼠丹尼velinski为二战战俘大的财政预算案史诗大逃亡( 1963年) 。几个更强有力的角色,其次,然后再次布朗森是早在军服,除了李,张建东和欧内斯特博格宁在睾酮充满肮脏的十( 1967年) 。欧洲观众已经采取了服务,以最低限度的,他代理的作风,和他为首的向大陆明星在几个面向行动的电影,包括巴塔耶德圣塞瓦斯蒂安,洛杉矶( 1968年) (又名“*圣塞巴斯蒂安” ) ,西方邪教c’era联合国协会沃尔特金正日西( 1968年) (又名“黄飞鸿时间在西部地区” ) , passager德香格里拉pluie ,乐( 1969 ) (又名“骑士就下雨” ) ,并在其中的quirkier的例子国际铸造,一起japansese屏幕传说toshirô御船,在西部soleil胭脂( 1971年) (又名“红太阳” ) 。美国观众现在渴望看到布朗森回到美国本土,他回到胜利在七十年代初期,以起带头作用,在更多的硬边犯罪和西方戏剧,包括沃洛奇文件( 1972年)和报复西方chato的土地( 1972年) 。经过近25年来作为一个工作的演员,他成为一个通宵的感觉。布朗森,然后连接与英国导演迈克尔赢家,以星在几个非常成功的城市犯罪惊悚片,包括力学( 1972年)和石*手( 1973年) 。然后,他拿下了坚实的打击作为一个科罗拉多州的甜瓜农民做的-在错误的理查德弗莱舍的先生majestyk ( 1974年) 。不过,电影被证明是一种突破,双方布朗森和赢家来在1974年与释放该争议的**想( 1974 ) (书面与亨利方达在心目中,谁是反感,由脚本) 。美国是在一段时间内处于上升的街头犯罪,和观众蜂拥而至看到一个故事,一个温和彬彬有礼建筑师谁旨在报复谋*他的妻子和**他的女儿由喷补下来盖,**犯和*手对纽约街头的城市。如此受欢迎,是电影,它促成四日益劣势的后遗症在未来20年。
行动的球迷无法取得足够的硬汉布朗森,他出现在什么许多球迷,批评,认为他最好的角色-作为萧条时期s treetfighter夏一起詹姆斯c oburn在高超的艰难时期( 1 975年) 。这是其次是有些缓慢节奏,但精美的照片西方breakheart通过( 1975年) (与妻子吉尔爱尔兰) ,轻心romp (失败)由中午十二时至三( 1976年) ,并作为苏联的代理人格里戈里borsov在主任唐西格尔的体面冷战惊险电话( 1977 ) 。布朗森仍然忙碌在整个八十年代,他的大部分电影,采取了更*力的语气,和他定作为报复,消除恶天使在电影一样,平庸的10至午夜十二时( 1983年) ,近unwatchable邪恶的男人做( 1984年) ,暗*( 1987年)和kinjite :禁止科目( 1989年) 。布朗森震动,很多批评者,他有力的工作,作为*害美国煤矿工人的**人总裁yablonski在电视电影法的报复( 1986年) (电视) ,给了一个很有趣的表现,在西恩潘-针对印度亚军( 1991年) ,和惊讶每个人都与他的外观作为体恤报纸编辑弗朗西斯教会在家庭中的电影是维吉尼亚州,有一个圣诞老人( 1991 ) (电视) 。
布朗森的最后一部电影的角色,分别为警务专员保罗芬党在一个广受欢迎的三重奏犯罪/剧情电影,电视的家庭警察( 1995 ) (电视) ,违反信仰:家庭刑警二( 1997 ) ( TV )和家庭警察三:受到怀疑( 1999 ) (电视) 。不幸的是,健康欠佳而开始采取收费;他患有阿尔采末病,为过去几年他的生活,最后去世的肺炎在洛杉矶雪松-西奈医学中心在2003年8月。布朗森是一个真正的图标的国际电**;批评了几个好东西说,他的电影,但他仍然是一个范的最爱无论是美国和国外50年来,声称其他几个电影的传说可以。
配偶
金周( 1998年12月22日-2 003年8月3 0日) (他的逝世)
小杰爱尔兰( 1968年10月5日-1 990年5月1 8日) (她的死因) 1女儿
哈里特tendler ( 1949年-1 967年) (离婚) 2儿童
琐事共用一个房间,与杰克klugman在一个新的纽约寄宿众议院在20世纪40年代。
他生了两个孩子,与**任妻子,托尼和苏珊。然后,他已婚,小杰爱尔兰,谁有两个儿子,与**任丈夫,戴维麦考伦。一养子(杰森) 1989年去世。他和爱尔兰了一个女儿命名为zuleika 。
也许最大的晚bloomer在好莱坞的历史,他没有得到治疗的肩上,他当之无愧,直到他40多岁的晚期。他已53时,死亡的希望( 1974 )首演。
名称布朗森表示,采取从“布朗森门”在派拉蒙制片厂,在北端的布朗森的途径。
欺*性在一集“辛普森一家” ( 1989年) ,其中辛普森家庭误前往布朗森,密苏里,而不是布兰森。在布朗森,如线的对话,因为这些发言,其公民说: “没有骰子” , “这不是ovah ” 。
改变了他的艺名在1950年代初在中的麦卡锡的“红色*慌”的建议,他的经纪人,谁是害怕,他的姓氏( buchinsky )会损害他的职业生涯。
演员迪克范戴克收到了柠檬蛋糕,每个圣诞节,从布朗森,谁住在附近的马里布16年
在1949年,他移居加州,他在那里签署了为署理教训,在帕萨迪纳剧场
在1954年对墨西哥的一套维拉克鲁斯( 1954年) ,他和同胞投下会员欧内斯特博格宁-谁玩美国g unfighters涉及在墨西哥打击法语-有一些闲暇时间对他们的手中,并决定到一个附近城市的香烟。他们背负了在服装, sidearms和所有,并开始骑马城市。就未来路,他们发现一辆卡车,充满墨西哥“ federales ” -国家警察-谁误以为他们为土匪和举行他们在*口下,直到他们的身份可以得到证实。
草拟入军队在1943年分配到空军。起初他是一名卡车司机,但后来的训练作为一个轰炸机尾炮手和分配到的B - 29 。他飞到25项任务,并收到,除其他外装饰,紫心勋章,为伤口而招致的战役。
“我不是一个卡斯帕尔milquetoast , ”布朗森告诉*****在1985年,回顾的时间,他访问罗马,并认为有人坚持用*在他身边。 “你想想,在打破英语问我要钱,我说, ’你给我钱。他回过头和走开“ 。
导演约翰休斯顿,一旦他总结为“投掷一枚手榴弹,与销拉动”
是由所有帐户的一个非常安静的和反省的合作者,经常坐在角落里的大部分拍摄,并听取了董事的指示,和不说一句话,直到照相机滚动。
是**个演员考虑的作用,蛇, plissken在逃生由New York ( 1981 )
他长大私人沮丧下降的质量和范围的角色,超过他的职业生涯,正在pigeonholed作为一个*力民后,商业上的成功死亡的希望( 1974年) 。他自己最喜爱他的“民”电影是c’era联合国协会沃尔特金正日西( 1968年) (又名黄飞鸿的时间在西部地区) 。
在1963年塞尔吉奥的筹措问他,以星在他的西方%联合国pugno邸dollari ( 1964年) (一fistful美元) 。布朗森,把角色,所以筹措问克林特伊斯特伍德。
他的父亲去世时,他是10和16 ,他随后他的兄弟到地雷,以支持家庭。他支付了1元,每吨煤和自愿危险的工作,因为薪酬是更好。
回应批评者的投诉,他说: “我们不作电影的批评,因为他们不支付看到他们无论如何” 。
所谓的西温莎,佛蒙特他家三年多十年(布朗森农场) ,以及被掩埋在附近的布朗斯维尔坟场,附近的山山脚。 ascutney 。
出现了与史蒂夫麦奎因和詹姆斯coburn在两部电影,两者都是针对由约翰斯特奇斯:宏伟七( 1960年)和大逃亡( 1963年) 。
与他的逝世对2003年8月30日,罗伯特沃恩和礼Wallach和是唯一的两个七项主要星级的宏伟七( 1960年)谁仍然活着,截至2005年11月。
他stepson ,贾森麦考伦布朗森,收养的儿子大卫麦考伦和小杰爱尔兰,死于意外*物过量在1989年。
介绍了他的第二任妻子,小杰爱尔兰,她当时的丈夫大卫麦考伦在拍摄大逃亡( 1963年) 。
以一口流利的俄语,立陶宛和希腊。
国有家园在欧洲,包括立陶宛和希腊。
曾髋关节置换手术在1998年8月。
声音的风凉话商店售货员在“辛普森一家” ( 1989年)是基于他。
塞尔吉奥的筹措后,称他为“最大的演员是我的工作” 。筹措原本想布朗森为所有三个什么样的,成为被称为“男子没有名字的”三部曲,但布朗森使他每一次下跌。
术语“查理士布朗逊”是经常说出了在水库狗( 1992 )在参考一硬的人。
他是非常积极筹集资金,为约翰韦恩癌症研究所。
广告mandom头发油。
能够essaying多种类型,从俄罗斯到美洲印第安人,从*人的恶棍,以守口如瓶英雄,布朗森突然成为明星,在年满50岁。继成功死亡的希望( 1974年) ,他重复,几乎没有变化,他的作用,作为报复城市治安。
在后者的一部分,他的职业生涯,他的工作主要是与*的navarone ( 1961年)主任李笃汤普森。他们提出的9电影一起在刚刚超过十年之间, 1977年和1989年: 10至午夜十二时( 1983年) , caboblanco ( 1980年) ,死亡希望4 :打击( 1987年) ,邪恶的男人做( 1984 ) , kinjite :禁止科目( 1989年) ,信使的死亡( 1988年) ,墨菲的法律( 1986年) ,圣艾夫斯( 1976年)和白色水牛( 1977年) 。
来自立陶宛的一个家庭,他成长于一个西方宾夕法尼亚州的煤炭开采城市。象所有的男子在他的家人,他在地雷,但讨厌它,并采用了各种手段来逃避它(包括军事,并最终署理) 。他的专业知识与隧道和地下的工作,原来是相当有帮助时,大逃亡( 1963年)中的作用“隧道国王” velinski 。不过,即使“隧道”他是在工作是一个剖集,他只能留在它为数分钟,在一个时间之前,他不得不站起来离开。作为一名男童工作,在矿山,他被抓获在一个洞*中,几乎死亡之前,他终于获救。以往任何时候都自那时以来他不得不一deathly的*惧封闭空间。
取得了6电影与导演迈克尔冠军: chato的土地( 1972年) ,机械( 1972年) ,石*手( 1973 ) ,死亡想( 1974年) ,死亡想二( 1982年)和死亡的希望三( 1985年) 。
在九十年代,一位他从未见过的要离开他她的地产价值,以及超过100万美元。她是一大范他。她的家人**及他结束了与解决他们走出**。
诊断与阿尔茨海默病的在2000年后的痛苦健康欠佳为前两年。
退休后,署理经历髋关节置换手术在1998年。
日本的漫画艺术家义冈村,著名的为拳头的northstar漫画,有时信贷自己的名义下, buronson后,布朗森和体育类似的胡子。
他和他的妻子吉尔爱尔兰通过卡特里娜霍尔登布朗森后,她的母亲希拉里霍尔登死亡,在1983年。
个人评价“我猜我看起来不像岩石石矿场有人dynamited ” 。
“署理是最容易的事我已经做了,我猜想这就是为什么我一直坚持它” 。
“总有一天,我想要的一部分,如果我可以精益我的肘部对mantlepiece ,并有鸡尾酒” 。
“我并不像有人谁倾斜就一mantelpiece与酒会,在我的手,你知道,我想看看什么样的家伙谁拥有了一瓶啤酒,在我的手” 。
“也许我太男性化。铸造董事投在自己的,或一个理想化的形象,也许我不喜欢看任何人的理想” 。 ( 1971年)
“我不是一个范自己” 。
没有人停留在顶端永远。没有人!
薪金10日至午夜十二时( 1983年)为2,000,000元
死亡的希望( 1974 ) $ 1,000,000
瓦尔迪兹,白细胞介素mezzosangue ( 1973 ) $ 1,000,000
石*手( 1973 ) $ 1,000,000
作品列表1951年 You’re in the Navy Now
1951年 《纽约警探网》(The People Against O’Hara)
1951年 《*徒》(The Mob)
1952年 《婚姻趣事》(The Marrying Kind)
1952年 《我的六人罪犯》(My Six Convicts)
1952年 《帕特和麦克》(Pat and Mike)
1952年 Red Skies of Montana
1952年 《谍影雄风》(Diplomatic Courier)
1952年 《百老汇侦探》(Bloodhounds of Broadway)
1952年 《丑角》(The Clown)
1952年 《战争地带》(Battle Zone)
1953年 Off Limits
1953年 Torpedo Alley
1953年 《**蜡像馆》(House of Wax)
1953年 《军中红》(Miss Sadie Thompson)
1953年 《龙虎干戈》(Vera Cruz)
1954年 《警网重重》(Crime Wave)
1954年 《铁腕丹心》(Tennessee Champ)
1954年 《马背上的*声》(Riding Shotgun)
1954年 《草莽雄风》(Apache)
1954年 《雷鸣战鼓》(Drum Beat)
1955年 Big House, U.S.A.
1955年 Target Zero
1956年 《远走高飞 》(Jubal)
1957年 《执导》(Run of the Arrow)
1958年 Gang War
1958年 《机*手凯利》(Machine-Gun Kelly)
1958年 Showdown At Boot Hill
1958年 When Hell Broke Loose
1959年 《战云》(Never So Few)
1960年 《豪勇七蛟龙》(The Magnificent Seven)
1961年 《世界的主人》(Master of the World)
1961年 A Thunder of Drums
1961年 《碧*长空》(X-15)
1962年 《长胜拳王》(Kid Galahad)
1963年 《大逃亡 》(The Great Escape)
1963年 《德州四杰》(4 for Texas)
1965年 《坦克大决战 》(Battle of the Bulge)
1965年 《春风无限恨》(The Sandpiper)
1965年 Guns of Diablo
1966年 《蓬门碧玉红颜泪》(This Property Is Condemned)
1967年 《十二金刚》(The Dirty Dozen)
1968年 《双虎将大追踪》(Guns for San Sebastian)
1968年 《朋友再见》(Farewell, Friend)
1968年 Villa Rides
1968年 《西部往事》(Once Upon a Time in the West)
1969年 《萝拉》(Lola)
1969年 《雨中的乘客》(Rider on the Rain)
1970年 《大风*》(You Can’t Win ’Em All)
1970年 《狼之挽歌》(Violent City)
1970年 Cold Sweat
1971年 《致命动机》(Someone Behind the Door)
1971年 《龙虎群英》(Red Sun)
1972年 《野狼》(Chato’s Land)
1972年 《大时代》(The Valachi Papers)
1972年 《龙虎铁金刚》(The Mechanic)
1973年 《铁石*手》(The Stone Killer)
1973年 Chino
1974年 《猛龙铁金刚 》(Mr. Majestyk)
1974年 《猛龙怪客》(Death Wish)
1975年 《最后逃亡》(Breakout)
1975年 《夺命列车》(Breakheart Pass)
1975年 《斗士》(Hard Times)
1976年 《老查的故事》(From Noon Till Three)
1976年 《出奇制胜》(St. Ives)
1977年 《威马神龙 》(The White Buffalo)
1977年 《火狐一号出击》(Raid on Entebbe)
1977年 《霹雳大火拼》(Telefon)
1979年 《火*猛金钢》(Love and Bullets)
1980年 《地狱天堂》(Borderline)
1980年 《布兰科角》(Caboblanco)
1981年 《雪岭过江龙》(Death Hunt)
1982年 《猛龙怪客2》(Death Wish II)
1983年 《处刑在午夜》(10 to Midnight)
1984年 《手下不留情》(The Evil That Men Do)
1985年 《猛龙怪客3》(Death Wish 3)
1986年 《*力先锋》(Murphy’s Law)
1987年 《暗***夫人》(Assassination)
1987年 《猛龙怪客4》(Death Wish 4: The Crackdown)
1988年 《阎王信差》(Messenger of Death)
1989年 《近距对搏》(Kinjite: For**dden Subjects)
1991年 《兄弟情仇》(The Indian Runner)
1994年 《猛龙怪客5》(Death Wish V: The Face of Death)
人物关系合作最多的男演员
阿克谢・库玛尔 Akshay Kumar(演员)
合作作品(7):
《De Dana Dan》、《蓝色迷情》、《辛格为王》、《欢迎光临》、《你好,伦敦》、《Humko Deewana Kar Gaye》、《Tees Maar Khan》
合作最多的女演员
碧帕莎・芭素 Bipasha Basu(演员)
合作作品(3):
《幻影车神3》、《生死竞赛》、《Humko Deewana Kar Gaye》
合作两次以上的影人TOP10收起
萨尔曼・汗 Salman Khan(演员)
合作作品(6):
《代号猛虎行动》、《真假王子》、《热线你我他》、《伴侣》、《爱情救急》、《Ajab Prem Ki Ghazab Kahani》
亚尼・卡普 Anil Kapoor(演员)
合作作品(5):
《y Talkies》、《真假王子》、《生死竞赛》、《欢迎光临》、《Humko Deewana Kar Gaye》
Aashish Singh(制作人)
合作作品(5):
《幻影车神3》、《爱无止境》、《代号猛虎行动》、《一不小心爱上你》、《纽约》
阿迪提亚・乔普拉 Aditya Chopra(制作人/编剧)
合作作品(4):
《爱无止境》、《代号猛虎行动》、《一不小心爱上你》、《纽约》
雅什・乔普拉 Yash Chopra(制作人/导演)
合作作品(4):
《幻影车神3》、《爱无止境》、《一不小心爱上你》、《纽约》
A・R・拉曼 A.R. Rahman(原创音乐)
合作作品(3):
《爱无止境》、《蓝色迷情》、《真假王子》
里希・卡普尔 Rishi Kapoor(演员)
合作作品(3):
《爱无止境》、《火之通途》、《你好,伦敦》
Himesh Reshammiya(原创音乐)
合作作品(3):
《欢迎光临》、《我们的梦想》、《你好,伦敦》
Karishma Kohli(副导演/助理导演)
合作作品(3):
《代号猛虎行动》、《一不小心爱上你》、《纽约》
Manish Malhotra(服装设计)
合作作品(3):
《爱无止境》、《火之通途》、《欢迎光临》